Neighborhood Playhouse
Partner Helen Arthur
Queer Places:
Harvard University (Ivy League), 2 Kirkland St, Cambridge, MA 02138
Neighborhood Playhouse School of the Theatre, 340 E 54th St, New York, NY 10022, Stati Uniti
21 W 9th St, New York, NY 10011
Agnes Bangs Morgan (October 31, 1879 - May 25, 1976) was a director, playwright, actress and theatrical producer. She is most known for her association with the Neighborhood Playhouse where she was a director and functioned in numerous other roles.
Morgan was born in Le Roy, New York to Frank H. Morgan, an editor, and Sarah L. Cutler Morgan, a teacher.[1][2] Attending Radcliffe College, she received her Bachelor of Arts degree in 1901 and her Master of Arts in 1903. In 1904 she attended George Pierce Baker's 47 Workshop at Harvard University.
She was hired at the Neighborhood Playhouse on the recommendation of one of the Playhouse teachers Sarah Cowell Le Moyne who knew Helen Arthur (whom she met in 1909 and who became Morgan's partner).[3][4] Lewisohn described Morgan as "quiet, serious, watchful." In speaking the Lewisohn sister, founders of the Playhouse joining with Morgan and Helen Arthur, Lewisohn added "...never had five people cast in such different molds joined forces with more congeniality."[3]
Neighborhood Playhouse
21 W 9th St
In speaking of two comedies, Great Catherine: Whom Glory Still Adores by Shaw and The Queen's Enemies by Lord Dunsany, Crowley recalled that "the spirited quality in both productions was largely due to Agnes Morgan's skillful direction. Perhaps Great Catherine was paving the way to her gift in handling burlesque, which was later to create an infectious vogue on Grand Street and Broadway through the [Grand Street Follies]."[5]
Crowley described Morgan as an essential part of the Playhouse:
Agnes Morgan's apprentices were the stage crew, a neighborhood corps of assistant property boys, scene shifters, and painters But her technical facility was such that she was everywhere in the theatre, combining a collection of functions the mere mention of which would drive any "self-respecting" member of the theatre union of today into a decline. Skilled as an actor, she played an occasional role; she developed the technical side of lighting, and had an instinctive gift for direction, as for the function of stage manager. As an amateur she responded to any production need while pursuing her professional career as playwright.[6]
Grand St. Follies: Neighborhood Playhouse had an in-house burlesque. While searching for an experimental play (promised to subscribers), Lewisohn suggested that the in-house burlesque be open to the subscribers. It had been the inspiration and creation of Agnes Morgan and Helen Arthur. The following season, staff were concerned as to whether they could equal the success of the first Grand Street Follies. "...it was clear that her genius for brilliant satire had flowered overnight.[7]
Morgan directed thirty-one out of forty-four dramas mounted at the Neighborhood Playhouse between 1915 and its closing in 1927, as well as dance and festival shows.[8] After the Playhouse closed she formed her own company, originally sharing the name of the annual Grand Street Follies and later called Actor-Managers, Inc. which existed until 1939.[8] She directed eight plays on Broadway between 1927 and 1935[8] as well as three plays for the Federal Theatre Project.[9] In 1931 she wrote the play If Love Were All under the pseudonym Cutler Hatch and staged it as well.[10]
Arthur pre-deceased Morgan on December 10, 1939.[11] In 1940 Morgan became associate director of the Paper Mill Playhouse in New Jersey, a position she held until 1972.[9]
Morgan died on May 25, 1976 in San Bernardino, California.[12]
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