Queer Places:
84 Woodford Street, Port of Spain
Boscoe Holder (16 July 1921 – 21 April 2007), born Arthur Aldwyn Holder in Arima, Trinidad and Tobago, was Trinidad and Tobago's leading contemporary painter, who also had a celebrated international career spanning six decades as a designer and visual artist, dancer, choreographer and musician.
Boscoe was openly bisexual even after his return to Trinidad in 1970 but his many sensual black male nudes were not exhibited during his lifetime.
In 2010, in Berlin, Peter Doig and Hilton Als co-curated an exhibition of portraits of the Trinidadian painters hidden images. In 2011 his male nudes were eventually shown at the Upper Room Art Gallery and Artist Retreat, Top of the Mount, Mt St Benedict, St Augustine.
Living in London, England, during the 1950s and 1960s, Boscoe Holder has been credited with introducing limbo dancing and steel-pan playing to Britain,[1][2] performing on British television and radio, in variety and nightclubs, in films, and at well-known theatres in the West End. His company also danced for Queen Elizabeth II at her coronation in 1953, and, two years later, at Windsor Castle.[3]
He is considered one of the top painters from the Caribbean whose work is in many collections around the world.[4] Particularly recognizable for his paintings of people of colour, reflecting his appreciation of Caribbean people and culture,[5][6] he often used his dancers as models, his "favourite" being his wife Sheila who was also lead dancer in his company.[4][6]
Born in Trinidad to Louise de Frense and Arthur Holder from Barbados, Boscoe Holder was the eldest of five children.[7] He attended Tranquility Intermediate School and Queen's Royal College. He started a musical career at a young age, playing the piano professionally for rich French creole, Portuguese and Chinese families. In his teens, he began painting seriously. He was an early member of the Trinidad Art Society, along with people such as Ivy Hochoy, Hugh Stollmeyer and Amy Leong Pang.[8][9] Holder also formed his own dance company, the Holder Dance Company. His style carefully preserved Afro-Caribbean tradition. His paintings and dances were inspired by the shango, bongo and bélé dances, of the slaves. In 1947, he visited the US, where he taught dancing at the Katherine Dunham School and exhibited his paintings at a gallery in Greenwich Village,[1] and on his return to Trinidad, in 1948, he married Sheila Clarke, his leading dancer.[10] Boscoe's younger brother, actor Geoffrey Holder – perhaps best known for his role as the villain Baron Samedi in the 1973 James Bond-film Live and Let Die – joined Boscoe's dance company at the age of seven.[11][12]
His son Christian eventually became a leading dancer with the Joffrey Ballet and an artist in his own right.[29]
Nude Male by Boscoe Holder
In April 1950[13] Holder with his wife and son went to live in London, which became their home for the next two decades.[14]
London was cold, damp and overcast when he arrived. From Southampton he went
to a lodging house on Oakley Square in Mornington Crescent near Camden Town. He remembers his room as being dismal and brown, the eiderdown covered with cigarette burns.
But he wasted no time in getting himself known and landed on his feet
almost immediately when he was introduced to
Oliver Messel, an interior and
stage designer, well placed in London's society, who lived in Pelham Place. Messel introduced Holder to
his Mayfair friends, including the composer and playwright
Noël Coward. Later Holder was to
meet another resident of Pelham Place, Cecil
Beaton, the photographer. By the time Sheila arrived, Holder had already made some valuable contacts, but was embarrassed to bring her to Oakley Square. The Holders moved from Oakley Square to Camden Road, and then to Aberdare
Gardens in Swiss Cottage in the mid 1950s.
Holder formed a group by the name of Boscoe Holder and his Caribbean Dancers, and introduced the first steel drums to England on his own television show, Bal Creole, broadcast on BBC Television on 30 June 1950.[13][14] Holder also choreographed and appeared in the 1953 BBC Television production The Emperor Jones (based on the Eugene O'Neill play of the same title).[16][17][18]
The dance company toured all over Europe and further afield (Finland, Sweden, Belgium, France, Spain, former Czechoslovakia, Italy, Monte Carlo and Egypt),[7] and in 1953 performed at the coronation of Queen Elizabeth II, representing the West Indies.[19][20] Holder and his wife appeared again before the Queen in 1955, at a Command Performance at Windsor Castle.[14]
On 31 July 1955, Holder and his troupe appeared in a concert billed as "The First Caribbean Carnival in London" held at the Royal Albert Hall, sponsored by entrepreneur Hugh Scotland.[21] In January 1959, the Boscoe Holder dance troupe was a headline act, performing "Carnival Fantasia", at the "Caribbean Carnival" organised by Claudia Jones held in St Pancras Town Hall.[22]
From 1959, for four years, Holder produced, choreographed and costumed the floorshow in the Candlelight Room of The May Fair hotel, where he also formed and led his own band, The Pinkerton Boys,[14] who alternated there with Harry Roy's orchestra.[3] Holder later co-owned a private club called the Hay Hill in Mayfair.[14] He appeared in several films, including Sapphire (1959), and in television series such as Danger Man and The Saint.[23] He also danced in Nice, Monte Carlo,[24] and Paris with
Josephine Baker.[25] On a visit to Trinidad in December 1960, Holder with his wife Sheila Clarke put on a show entitled At Home and Abroad at Queen's Hall in Port of Spain, performed by local dancers and featuring dances based on Brazilian, Haitian and Trinidadian folklore.[26]
As well as dancing, during these years Holder continued to paint and his work was exhibited at various UK galleries including the Trafford Gallery, the Redfern Gallery, the Commonwealth Institute, the Castle Museum Nottingham, the Martell exhibition of Paintings, Drawings and Sculpture at the Royal Watercolour Society Galleries, and the Leicester Galleries.[7]
After being based in London for 20 years, in 1970 Holder returned to Trinidad[14] and quickly re-established himself as a painter, "with an unbroken record of annual shows from 1979 onwards, sometimes two, three or four in a year".[27] His work has been exhibited all over the Caribbean and elsewhere internationally. His paintings can be seen in collections throughout the world, preserving the West Indian culture. In 1981, a Holder painting was presented by the then President of the Republic of Trinidad and Tobago, Sir Ellis Clarke, as a wedding gift from the nation to Prince Charles and Lady Diana.[28]
In 2006 the Art Society of Trinidad and Tobago and Gallery 101 exhibited 58 works by Holder, dated from 1991 to 2002.[5]
Holder died at age 85 in 2007, at his home in Newtown, Port of Spain.[31] He had suffered from prostate cancer, as well as complications from diabetes.[32][33]
In 2012, Holder's former studio at 84 Woodford Street, Port of Spain, became the "101 Art Gallery at Holder's Studio" owned by Mark Pereira.[41][42]
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