Husband Norman Bowler, Partner Maggi Hambling
Queer Places:
Colony Room, 41 Dean St, London W1D 4PY, UK
4 Panton St, London SW1Y 4SW, UK
9 Apollo Pl, Chelsea, London SW10 0ET, UK
Hanover Terrace Mews, London NW1 4SH, UK
Roundwood House, Roundwood, Mountrath, Co. Laois, R32 TK79, Ireland
Brompton Cemetery
West Brompton, Royal Borough of Kensington and Chelsea, Greater London, England
Henrietta Moraes (born Audrey Wendy Abbott;[1] 22 May 1931 – 6 January 1999) was a British artists' model and memoirist. During the 1950s and 1960s, she was the muse and inspiration for many artists of the Soho subculture, including
Lucian Freud,
Francis Bacon, and (much later)
Maggi Hambling, and also known for her three marriages and numerous love affairs.
Amidst the hubbub of the swinging 1960s, David Archer ran his small, apparently unremarkable, bookshop, since the 1930s, which according to the poet Christopher Logue, who discusses Archer in his autobiography, was (unusually for the area) ‘clean, sleek and uncluttered’. No 4 Parton Street became a regular haunt for writers, many casually leaving their books with Archer in the hope of shifting a few copies. The ceiling of the shop was covered in portraits of poets – the work of Italian graphic designer Germano Facetti. This was the same ceiling that caught Allen Lane’s eye and eventually took Facetti to Penguin books as designer. Even the girl serving the endless free coffees was the famously beautiful Soho siren Henrietta Moraes, muse to Bacon. She left her first husband, Michael Law, and married John Minton's lover, actor Norman Bowler, with whom she had two children. She later married the Indian writer Dom Moraes.
Henrietta Moraes was born Audrey Wendy Abbott in Simla, British India, where her father was stationed in the Indian Air Force. Her father deserted her mother when Audrey was young, and she was raised harshly by a tyrannical, abusive grandmother in England. By 1950, when she was nineteen years old, Moraes was working as an artists' model in several London art schools. A denizen of the Colony Room, Soho, she became the muse to a number of important British artists in the early 1950s through the mid-1960s. Francis Bacon, who was particularly enthralled by her mercurial character, painted her at least sixteen times from photographs specifically commissioned by him from John Deakin: in May 2002, Bacon's Study for Portrait of Henrietta Moraes was sold by Ernst Beyeler for $6.7 million,[2] and in February 2012 Bacon's 1963 Portrait of Henrietta Moraes sold for £21.3 million.[3][4] Lucian Freud, with whom she had an affair, painted Moraes at least three times, including a celebrated 1953 portrait entitled Girl in a Blanket.[5] In 1950, she met her first husband, film-maker Michael Law, who bestowed the name Henrietta on her.[6] They set up home in an attic in Dean Street. Her second husband was bodybuilder and actor Norman Bowler. They had two children, Joshua (b. 1955) and Caroline, although Joshua was later revealed to be the biological son of Colin Tennant, 3rd Baron Glenconner.[7] This marriage ended in 1956. Later in 1956, she met the 18-year-old Indian poet Dom Moraes. They married in 1961 but were amicably divorced by the mid-1960s.
The cover of Moraes' 1994 memoir, Henrietta, reproduces Lucian Freud's Girl in a Blanket, painted in Paris in 1953 (and rarely exhibited since)
Moraes was notoriously free-spirited and led a generally hedonistic lifestyle. In the early 1960s, Moraes began to take drugs in addition to her large intake of alcohol. During the 1960s, Moraes left the art world and hit the hippy scene. She reportedly consumed every drug except heroin, and lost the Chelsea house that John Minton had left to her after his death in 1957 in the process. In the 1960s, she was also an unsuccessful cat burglar hampered by amphetamine psychosis, leading to time in Holloway Prison. As if anticipating her decline, Bacon famously painted her with a syringe a decade before she became a self-confessed "junkie".
In the mid-1970s, Moraes shared a mews flat in Hanover Terrace, Regent's Park, London, with singer and actress Marianne Faithfull, an episode in both their lives that forms a key chapter in Faithfull's Memories Dreams & Reflections, published in October 2007. In the late 1970s and early 1980s Moraes was caretaker of Roundwood House, near Mountrath, County Laois, Ireland, which was being restored by the Irish Georgian Society. Many friends visited, and her friend Eric Burdon recorded Darkness Darkness there. Guinness heiress Caroline Blackwood discreetly paid school fees for Moraes's two children during her most untethered years, although Henrietta was not told about it.
She spent her final years in London. She started to write about her life in the book Henrietta, published by Hamish Hamilton in 1994, and was working on a follow-up at the time of her death. This volume of short stories and memoirs was written with the encouragement of her friend, the writer Francis Wyndham. She also attended a twelve-step program to learn how to live without alcohol and drugs. She was diagnosed with diabetes soon after becoming a keen gardener in West London. In her last year of life she was in a relationship with artist Maggi Hambling, who produced a posthumous volume of charcoal portraits of her.
Moraes died in London in 1999 at the age of 67 in her bed while on the phone to her doctor, bequeathing her long-haired dachshund dog Max to Hambling.[8] She left only a handful of possessions and a large pile of unpaid bills.[9] She is buried in Brompton Cemetery, London.[9] Her coffin was hand-made by her friend Sir Mark Palmer.[9] Other guests included Palmer's wife Catherine Tennant, the designer David Mlinaric and his wife Martha, Penny Guinness, the antiques dealer Christopher Gibbs, and her literary agent, Alexandra Pringle.[9] She had spent time with Palmer in the early 1970s in his "cavalcade of horse-drawn caravans" as part of an aristocratic early group of New Age travellers.[9]
My published books:
