Mary
Cabot Wheelwright (October 22, 1878 – July 29, 1958) was an American
anthropologist and museum founder. She established the museum which is now
called Wheelwright Museum of the American Indian, in 1937[1]
along with Hosteen Klah.[2]
Queer Places:
Los Luceros Historic Site, 253 Co Rd 41, Ohkay Owingeh, NM 87566
Wheelwright Museum of the American Indian, 704 Camino Lejo, Santa Fe, NM 87505
Abbe Museum, 26 Mt Desert St, Bar Harbor, ME 04609
Wheelwright Way, Mt Desert, ME 04662
Mary
Cabot Wheelwright (October 22, 1878 – July 29, 1958) was an American
anthropologist and museum founder. She established the museum which is now
called Wheelwright Museum of the American Indian, in 1937[1]
along with Hosteen Klah.[2]
Wheelwright was born on October 22, 1878, the only child of Andrew Cunningham Wheelwright and Sarah ("Sadie")[3] Perkins Cabot Wheelwright.[4] She was raised in a wealthy household and the Cabot family was part of the Boston upper class.[4] Her family traced its ancestry to 18th-century merchants who had become wealthy through shipping.[3] Her great-grandfathers worked as commission agents and her maternal grandfather made his wealth through "slavery, sugar, and rum," also building China's first trading outpost, where he imported silks and opium.[5] Mary's mother, Sarah, was close friends with Ralph Waldo Emerson,[3] who often visited the family's home.[2] As a child, Wheelwright was raised in the tradition of the Transcendentalists and the Unitarian Church.[3] In 1882, at the age of four years old, she posed for a portrait by artist Frank Duveneck.[6] She was well-traveled, visiting Europe, Egypt, and California with her parents, who were "protective" and raised Wheelwright as how a friend described as "growing up in cotton wool."[3]
For 40 years, Wheelwright remained the "dutiful Victorian daughter."[7] She devoted herself to "good works, particularly a settlement-house music school in the South End of Boston."[7] As the heiress of a family trust, she had significant income that would support her throughout her life but lacked control of the capital, which was intended to protect her from "fortune-hunting suitors" but made her unable to endow the museum she would later found as she wished.[7]
At age 40, after both her parents had died, Wheelwright journeyed to the American Southwest, where she "found and embraced a more primitive type of civilization, more adventuresome and more exciting than the safety of Boston."[4] In Alcalde, New Mexico, she stayed on a ranch.[4] In addition, she traveled to the Four Corners region and Navajo reservation.[4] There, she developed an interest in Navajo religion.[4] In 1921, Wheelwright was introduced to Hosteen Klah, a Navajo medicine man and singer, who was worried about preserving traditional Navajo religious practices.[4] The two developed a friendship and began working together to preserve Navajo religious practices, with Klah sharing details about Navajo ceremonies with Wheelwright, who recorded and translated them.[4] While at the time, there was a taboo in the Navajo community against replicating ceremonies, Klah's fear of the knowledge of his culture's traditions being lost led him to share the information with Wheelwright.[2]
Throughout the next years, Wheelwright spent time traveling the world, living in the eastern United States, and living in Alcalde.[4] In 1940, she traveled to India with the goal of finding symbols related to the ones found in Navajo art.[2] She also visited Europe, Greece, Egypt, and China.[2] She continued to record information about Navajo ceremonials given by Klah and by another 58 medicine men, and collected reproductions of ceremonial sandpaintings in various media.[4]
In 1923, Wheelwright purchased the Los Luceros Ranch near Alcalde.[7] She befriended Maria Chabot, who managed the ranch for 20 years, and later gifted the ranch to Chabot.[8]
In 1937, Wheelwright and Klah established the House of Navajo Religion in Santa Fe.[4] The name was later changed to the Museum of Navajo Ceremonial Art in 1939.[2] In 1942 the Museum published Navajo Creation Myth - the Story of the Emergence by Hosteen Klah, Recorded by Mary C. Wheelwright.[9] In 1977, the Museum was renamed the Wheelwright Museum of the American Indian.[4]
Wheelwright wrote an autobiography, titled Journey Towards Understanding, in 1957.[2] Ultimately, it went unpublished during her lifetime.[2] An excerpt was published in A Quilt of Words: Women's Diaries, Letters & Original Accounts of Life in the Southwest, 1860–1960 in 1988.[2]
In addition to traveling, Wheelwright enjoyed sailing.[2] She spent summers on the coast of Maine and lived alone for a time in a shipmaster's cottage on Sutton Island.[2]
Wheelwright continued to serve as director of the museum for the rest of her life.[4] She died on July 29, 1958[4] at the age of 79 in her home in Maine.[5]
My published books:
