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Ohio State University, Columbus, OH 43210, Stati Uniti
Samuel
Morris Steward (July 23, 1909 – December 31, 1993), also known as Phil Andros,
Phil Sparrow, and many other pseudonyms, was a poet, novelist, and university
professor who left the world of academia to become a tattoo artist and
pornographer.
Throughout his life he kept extensive secret diaries, journals and statistics of his sex life. He lived most of his adult life in Chicago, where he tattooed sailor-trainees from the US Navy’s Great Lakes Naval Training Station (as well as gang members and street people) out of a tattoo parlor on South State Street. He later moved to the San Francisco Bay area, where he spent the late 1960s as the official tattoo artist of the Hells Angels motorcycle gang.
Steward was born in Woodsfield, Ohio and began attending Ohio State University in Columbus in 1927. He taught English at OSU in 1932 during the final year of his PhD. His first year-long post was as an instructor of English in 1934 at Carroll College in Helena, Montana. In 1936 he was summarily dismissed from his second teaching position, at the State College of Washington at Pullman, as the result of his sympathetic portrayal of a prostitute in his well-reviewed comic novel Angels on the Bough. He subsequently moved to Chicago, where he taught at Loyola University until 1946. After leaving Loyola to help re-write the World Book Encyclopedia, he subsequently taught at DePaul University.[1]
Born into a Methodist household, Steward converted to Catholicism during his university years, but had long since abandoned the Catholic Church by the time he accepted his teaching position at Loyola. From the mid-1930s until 1949 he was deeply alcoholic, but he managed to overcome his addiction to alcohol with the help of Alcoholics Anonymous.
Featured in
Particular Voices: Portraits of Gay
and Lesbian Writers by Robert Giard [Rights Notice: Copyright Jonathan G. Silin (jsilin@optonline.net)]
Steward gained an introduction to Gertrude Stein in 1932 through his academic advisor Clarence Andrews, and so began a long correspondence with Stein which resulted in a warm friendship. He paid visits to her rented country home in France during the summers of 1937 and 1939. During the 1937 trip, he also met with many other literary figures, including Thornton Wilder, Lord Alfred Douglas (the lover of Oscar Wilde), Thomas Mann, and André Gide. He detailed these encounters, some of them sexual, in his brief memoir, Chapters from an Autobiography. He also described his friendship with Stein and Alice B. Toklas in his Dear Sammy: Letters from Gertrude Stein and Alice B. Toklas.[2]
As a teenager, Samuel Steward, used to write to famous writers, hoping thereby to store up contacts that he would cash in in due course. He wanted to be a gay literary groupie, and, if we are to believe his memoirs, that is what he became. The year 1937 seems to have brought particular successes. For a start, he visited Alfred Douglas in the hope of making a sexual connection with Oscar Wilde through the irascible remnants of Bosie. At first, Douglas maintained decorum and disclaimed any homosexual interest – until they had a drink. ‘And that did it. Within an hour and a half we were in bed, the Church renounced, conscience vanquished, inhibitions overcome, revulsion conquered, pledges and vows and British laws all forgotten. Head down, my lips where Oscar’s had been, I knew that I had won.’ Thanking Steward afterwards, Douglas confided in him that all he and Oscar ever did was masturbate each other: ‘We kissed a lot, but not much more.’
Steward met famed sex researcher Alfred Kinsey in late 1949 and subsequently became an unofficial collaborator with Kinsey’s Institute for Sex Research. During his years of work with the Institute, Steward collected and donated sexually themed materials to the Kinsey archive, gave Kinsey access to his lifelong sexual records, introduced him to large numbers of sexually active men in the Chicago area, and provided him with large numbers of early sex Polaroid photographs which he took during the frequent all-male sex parties he held in his Chicago apartment. He also allowed Kinsey to take detailed photographs of that sexually-themed apartment. He ultimately donated large numbers of drawings, paintings and decorative objects that he himself had created to the Institute.
In spring of 1950, at Kinsey’s invitation, he was filmed engaging in BDSM sex with Mike Miksche, a New York-based erotic artist also known as Steve Masters. After Gertrude Stein, Kinsey was Steward’s most important mentor; he later described Kinsey not only "as approachable as a park bench" but also as a god-like bringer of enlightenment to humankind, thus giving him the nickname, “Doctor Prometheus.”[3]
While making the transition from professor to tattoo artist during the 1950s, Steward befriended a number of gay artists and writers including Paul Cadmus, George Platt Lynes, Julien Green, Fritz Peters, and Glenway Wescott. At Kinsey’s specific request he also kept highly detailed journals and diaries of his daily sexual activities, and chronicled them in a secret card catalogue he referred to as his “Stud File.” Starting in 1957, he began contributing short stories based on his many sexual encounters to the Zurich-based homophile magazine Der Kreis (“The Circle”), to which he also contributed essays, reviews, and homophile journalism.
During his final years in Chicago, Steward befriended beefcake photographer Chuck Renslow, owner of Kris Studio, and Renslow’s partner Dom Orejudos, the homoerotic illustrator also known as “Stephen” and “Etienne.” Renslow would later go on to open The Gold Coast, Chicago’s first leather bar, and to found International Mr. Leather, a yearly gathering of leathermen from around the world.
In the 1960s Steward began writing and publishing his erotica under the name of Phil Andros, initially doing so with the Danish magazine Eos/Amigo. Some of his early works described his fascination with rough trade and sadomasochistic sex; others focused on the power dynamics of interracial sexual encounters between men. In 1966, thanks to changes in American publishing laws, he was able to publish his story collection $TUD with Guild Press in the United States, under the pseudonym Phil Andros. By the late 1960s, Steward started writing a series of pulp pornographic novels featuring the hustler Phil Andros as narrator.
As a leading tattoo artist of the 1950s and '60s, Steward was mentored by Milwaukee-based master tattooist Amund Dietzel. Steward in turn mentored Cliff Ingram, aka Cliff Raven, and Don “Ed” Hardy, later known simply as Ed Hardy, encouraging both to practice the Japanese-style tattooing he himself most admired. After retiring from tattooing in 1970, Steward wrote a social history of American tattooing during the 1950s and '60s, which was ultimately published as Bad Boys and Tough Tattoos.
In his later years Steward’s abilities as a writer were compromised by chronic obstructive pulmonary disease and a barbiturate addiction. He died at the age of 84 in Berkeley, California.[1][4]
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